Come Look with Me

Chinese Landscape with Water Flow Research Institute, oil on ready-to-use “Stylex” canvas w/ stretcher, 30×40 cm The ancient art of Chinese Landscape Painting aims for an air of universal completeness and peace, materializing the desire for the Chinese Empire to reign eternally and timelessly. A painting is not complete if it does not bring together the hard, the fluid, the gaseous: rock (the mineral world), water, sky (air, fog). Living organisms are either part and fixed outgrowth of the solid, mineral world, i.e plants, lichens, sponges; or transient, animal or human, which are few and far between. Water is the element that flows through the image, from top to bottom, uniting all, making all into one. Never is there harsh light coming from one point, creating light and shadow. Perspective is  of the aerial type, which means things in the distance are lighter in tone, as they reach  through fog, fine mists, wafting between them and the onlooker. While this type of painting i...

 This painting, executed on a small canvas in a sufficiently loose painting style to warrant calling it an "oil sketch", depicts a stylized coal liquefaction plant, conveniently located on a seashore, in an unclear metabolic relationship with the nearby abundance of water into which it can tap by means of thick pipes emanating from its concrete base. HYDRA Coal Liquefaction Plant, oil on "Stylex" canvas, 30 x 40 cm Certain nations, nation states, countries, etc. in the history of modern civilization found it necessary to expand, colonize, or engage in questionable trade relations with other states because their own natural resources did not suit the demands of said state's motorized civil society nor war machinery. The alternative to expansion however could have been the development of efficient means of transformation of naturally occurring unsuitable resources (coal, in this case) by utilizing either alchemistic, holistic, biochemical or chemical pathways on a...