Chinese Landscape with Water Flow Research Institute, oil on ready-to-use “Stylex” canvas w/ stretcher, 30×40 cm The ancient art of Chinese Landscape Painting aims for an air of universal completeness and peace, materializing the desire for the Chinese Empire to reign eternally and timelessly. A painting is not complete if it does not bring together the hard, the fluid, the gaseous: rock (the mineral world), water, sky (air, fog). Living organisms are either part and fixed outgrowth of the solid, mineral world, i.e plants, lichens, sponges; or transient, animal or human, which are few and far between. Water is the element that flows through the image, from top to bottom, uniting all, making all into one. Never is there harsh light coming from one point, creating light and shadow. Perspective is of the aerial type, which means things in the distance are lighter in tone, as they reach through fog, fine mists, wafting between them and the onlooker. While this type of painting is traditi
This image would need no further comment, if the idea of the comment was merely to describe or amplify that what is shown in the image. What is shown lies on a plane where laughter, sighs, and giggles reign. A poem or song would be better suited to accompany this drawing of the salon or bidet variety. "Le Comte Ory", pencil on pink letter paper (A4) The artist feels however inclined to add that the scenery depicted has very little to do with the Comte Ory storyline of Verdi's opera buffa, but is indeed showing members of a dance troupe passing the night in a castle unwillingly offered to them as a shelter for the night by an oddly motivated aristocratic owner, who is torn between his own ingrained hospitality and the knowledge that harm will befall his guests because the castle is also claimed as a hunting ground for young female victims by his vampiric brother, who, being undead, naturally has no legal claim tho the castle, inherited by his surviving brother. The drawin